Jon Hammond at the Organ and Microphone
#WATCHMOVIE HERE: Musik Rotthoff Beatles Bought Guitars Here - In Store
Playing from Jon Hammond and Joe Berger Jon's archive https://archive.org/details/LegendaryHamburgMusikRotthoff1 Views 138
#138 Youtube https://youtu.be/DzFN8BAJpgw 53 views #53 Jon Hammond and Joe Berger In-store performance in the legendary Hamburg music shop 'Musik Rotthoff'
- world-renowned for having sold The Beatles their most famous guitars and musical equipment and also supplied the equipment for The Star Club, Top Ten Club and still going strong as a supplier of
both new and rare vintage instruments, amplification, sound reinforcement, lighting and all accessories - located in St. Pauli Hamburg Germany http://www.musik-rotthoff.de/ - Joe Berger is playing Futhark Guitars - Jon Hammond is playing Hammond Sk1 organ made by Suzuki Musical Instruments - special
thanks to Hr. Claus-Dieter Rotthoff and his sonMaik Rotthoff - JH — with Jon Hammond, Joe Berger and Maik Rotthoff inSt. Pauli. The Father Son: Maik Rotthoff and Claus-Dieter Rotthoff - Claus' father
sold Paul McCartney his famous Höfner 'Beatle Bass' and other gear for The Beatles - keeping the legacy going in St. Pauli Hamburg! - Jon Hammond 
L to R Claus-Dieter Rotthoff, Joe
Berger, Jon Hammond - in-store Musik Rotthoff 
Musik Rotthoff, Musical Instruments, The Beatles, St. Pauli, Hamburg, Legendary Music Store, Blues, Hammond Organ, In Store, HD 720p H.264 download download 1 file MPEG4 download download 1 file OGG
VIDEO download download 1 file TORRENT download download 17 Files download 5 Original Producer Jon Hammond Language English Jon's archive https://archive.org/details/JonHammondJAZZBEAUXSCOTTMUNIWNEWHammondCast Views 612 #612 Youtube https://youtu.be/7W1zinL5iCQ 4,257 views #4257 Priceless film inside WNEW 1130AM New York with 2 Radio Legends: Al JAZZBEAUX COLLINS and SCOTT MUNI on JON HAMMOND'S
HammondCast: Hear Scott Muni tell Jazzbeaux about his days at "WABeatlesC" 
on the date commemorating when the Beatles first hit the shores of USA! As previously broadcast on Jon's TV show The Jon Hammond Show (24th year) and HammondCast on CBS' KYCY/KYOU
1550AM San Francisco California. Enjoy! *Official site: http://www.HammondCast.com c)2006 Usage Attribution-NonCommercial-NoDerivs Topics WNEW, Jazzbeaux, Scott Muni, HammondCast, BEATLES, WABeatlesC
512KB MPEG4 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 16 Files download 5 Original Producer Jon Hammond Scott Muni wiki
https://en.wikipedia.org/wiki/Scott_Muni Scott Muni (May 10, 1930 – September 28, 2004, aged 74) was an American disc jockey, who worked at the
heyday of the AM Top 40 format and then was a pioneer of FM progressive rock radio. Rolling Stone magazine termed him "legendary" Born Donald Allen Muñoz in Wichita, Kansas, Muni grew up in New
Orleans. He joined the United States Marine Corps and began broadcasting there in 1950, reading "Dear John" letters over Radio Guam. After leaving the Corps and having considered acting as a career,
he began working as a disc jockey; in 1953 he began working at WSMB in New Orleans. His mentor was Marshall Pearce. In 1955 he began broadcasting at station WAKR in Akron, Ohio, and after that worked
in Kankakee, Illinois. Views 96 #96 Youtube https://youtu.be/mN36dsQEFPo 149 views #149 Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics
Meckelnburg Vorpommern, Landesjugendjazzorchester, NDR Archive, Big Band, Michael Leuschner, Heinz Lichius, Camera, Zeughaus Wismar, Landesmusikrat, Jon Hammond, #HammondOrgan #Jazz #Wismar download
1 file H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT Organ Meets Bigband in The Zeughaus Wismar - Camera: Heinz Lichius Am 30.07.2015 ist
das Landesjugendjazzorchester Mecklenburg-Vorpommern (LaJazzO MV) mit seinem diesjährigen Solisten Jon Hammond in der Hansestadt Wismar zu Gast. 
https://www.facebook.com/events/1625578051045838/ Nachdem sich in den vergangenen Jahren das LaJazzO MV mit
den in der Big Band vorkommenden Instrumenten musikalisch auseinandersetzte, wird in 2015 die Jazzorgel musikalisch thematisiert werden. Unter dem Titel "Organ meets Big Band" wird dieses sehr
traditionsreiche Instrument der Jazzgeschichte in den Mittelpunkt der Konzertreihe im folgenden Jahr gestellt. Als Jazzinstrument wurde es von Fats Waller in den 30er Jahren eingeführt und hatte
seine Hochzeit in den 50er Jahren durch seine Vertreter wie Jimmy Smith. Der international renommierte New Yorker Jazzorganist Jon Hammond wird zusammen mit dem LaJazzO MV unter der Leitung von
Michael Leuschner den besonderen Charme dieses Instrumentes wieder zum Leben erwecken. Im Programm sind unter anderem Titel von Jimmy Smith, arrangiert von Steve Grey - eine Leihgabe aus dem Archiv
der NDR-Bigband. Jon Hammond studierte in den siebziger Jahren am Berklee College of Music und am City College San Francisco. Konzertreisen führten ihn quer durch die Vereinigten Staaten und Kanada.
In seiner eigenen 'Jon Hammond Show' spielte er mit Musikern wie Dizzy Gillespie, Paul Butterfield, Jaco Pastorius, John Entwistle, Sammy Davis Jr., Percy Sledge und vielen anderen. Auch in Europa
fand und findet seine Musik unverändert viele Anhänger. Die Medien berichten wiederholt von einem unverwechselbaren und prägenden Sound. Jon Hammond hat u.a. auf der 20. Frankfurter Musikmesse
mitgewirkt und tritt vornehmlich in Hamburg auf. "The Jon Hammond Show" is a funky, swinging Jazz instrumental revue, featuring notable international soloists and reflecting the influences of Miles
Davis, The Crusaders and Jimmy Smith. Programm: "Organ meets Bigband" Leitung: Michael Leuschner Donnerstag, d. 30.07.2015, 19:00 Zeughaus Wismar with Elli Soosz, Jan Rolle, Daniel Be, Leon Saleh,
Gabriel Rosenbach, Michael Leuschner, Heinz Lichius, Matthis Rasche, Hörni Thorun, Paul Gramkow, Marie Birkholz, Jan Boge, Ole Si, Elisabeth Guericke, Nane Schüßler, Henning Schiewer, Noah Jens,
Oliver Herlitzka, Anne-Katrin Meyer and Al Tobias at Zeughaus Wismar Producer Jon Hammond Language German Jon's archive https://archive.org/details/6842260423 AFM Local 6 Member Jon Hammond https://afm6.org/member-profile/jon-hammond-wheres-the-gig/ JON HAMMOND: “WHERE’S THE GIG?” - Alex Walsh Jon Hammond is a musician,
composer, bandleader, publisher, journalist, TV show host, radio DJ, and multi-media entrepreneur. He currently travels the world, playing gigs and attending trade shows. 
“Every time I see a
musician walking down the street I say, ‘Hey, where’s the gig?’ Because it doesn’t matter what kind of music you play, if you’re carrying an instrument–going to a rehearsal, or coming back from a
repair shop, whatever it is–we all need our gigs. And that’s what the union is all about. Hopefully, we can all keep working and be supportive of everybody’s gigs. There’s room for everybody.” THE
EARLY YEARS Jon Hammond was born in Chicago in 1953. His father was a doctor and his mother was a housewife. They both played the piano. In 1957, his parents moved Jon and his four sisters to
Berkeley, CA, where his father worked in a hospital as head of the emergency room. When he was nine, Jon started accordion lessons. “In those days, they had studios where parents would drop their
kids off after school for tap dancing and accordion lessons. There were accordion bands and they would compete against each other.” Jon played his first gig at a senior citizens luncheon when he was
eleven. Not only did he get a free lunch but he was paid $25 –a lot of money in those days. Jon says his father was supportive, but did not want him to pursue a music career. “He told me that music
was a great hobby. He got me a wonderful professional accordion for my Bar Mitzvah, directly from John Molinari, one of the greatest accordionists who ever lived. It was a Guilietti Professional Tone
Chamber accordion. That’s the accordion I won Jr. Jazz Champion on in 1966.” In high school, Jon attended a private boys school in San Francisco. He was a class clown, and when it got to the point
where he was going to be expelled, Jon took his accordion and ran away from home. He immersed himself in the San Francisco music scene and started playing organ in several bands. By 1971 he was in a
four piece rock group called Hades which shared a rehearsal space with Quicksilver Messenger Service. “I was friends with their manager, Ron Polte, who also managed guitarist John Cipollina. We got
to open for his band, Copperhead.” Jon continued to play gigs in the Bay Area in different configurations, including a few gigs with a young Eddie Money. By this time Jon had become frustrated with
the Bay Area scene. One night while playing a biker bar he got into a fight and his band didn’t come to his defense. “That was the last straw. I was angry and I said I wasn’t coming back.” 
Jon in the early 70s Jon
moved to Boston in 1973 to attend the Berklee School of Music. He also got a gig playing in Boston’s Combat Zone backing up burlesque shows. When Jon saw one of his idols, pianist Keith Jarrett play
in New York he told him he was going to Berklee and asked him for advice. “Keith looked me right in the eye and said ‘Berklee can be very dangerous for your music.’ It was like he popped this huge
bubble. Years later I came to understand what he was talking about. You have to learn the fundamentals, but the music itself comes from a much deeper place. They can’t teach that, you have to find it
yourself.” When Jon’s teachers began sitting in on his gigs in Boston, he questioned why he was in school if the teachers were coming to play with him. He quit school, moved to Cape Cod and started
playing with bandleader Lou Colombo. “He did all the private parties for Tip O’Neill. We played what they used to call the business man’s beat. On the gig it was forbidden to swing. It was like swing
cut in half. So if you tried to go with the four, Lou would say, ‘Don’t swing it, don’t swing it.’ He pounded it into my head night after night.” LATE RENT In 1981 Jon took a trip to Paris where he
broke through his writers block and wrote some of his best music. He returned to New York with his new tunes and started a production company with the idea of getting a record deal for a friend that
had played on a #1 hit record. After months of pounding the pavement with no results, Jon realized he had better work on his own music before his money ran out. He took the last of his savings,
including his upcoming rent money, and went into the studio to record what came to be known as “The Late Rent Sessions”. The session had Todd Anderson on tenor sax, Barry Finnerty on guitar, Stephen
Ferrone on drums, and Jon on B3. They recorded at Intergalactic, the last studio that John Lennon recorded in. Jon had no luck getting a record deal for his new project, but he did get gigs in New
York with his band Jon Hammond and the Late Rent Session Men. 
Jon Hammond Band Onstage
at NAMM, 2014: Joe Berger, Dom Famularo, Alex Budman, Koei Tanaka, Jon Hammond In 1982, Jon found out about public access television and the idea that anyone could produce a show and get it on TV. He
started broadcasting on Manhattan’s public station in 1984. “I decided I was going to produce a radio show on TV. The first episodes showed just my tapping foot and my voice. It was a gimmick. We had
graphics that were synchronized to go with the music. It worked out well. People dug it.” Within a few weeks, Jon was interviewed and featured in Billboard Magazine. The Jon Hammond Show was
considered an alternative to the clips on Cable TV. “MTV was still in its infancy. We had a concept that was revolutionary. My phone started ringing and we were the hot kids on the block.” LIVING
ABROAD Jon continued to play gigs in New York and produce his TV show. In 1987, he went to his first trade show (NAMM) where he was introduced to Mr. Julio Guilietti, the man who built his accordion.
He then began traveling to trade shows and making contacts with musicians and companies around the world, including Hammond Suzuki. “They gave me the Hammond XB-2, the first really powerful portable
Hammond organ. Glenn Derringer, one of my all-time heroes, presented it to me. I got one of the first. Paul Shaffer from the Letterman Show got the other. At the time there was only one EXP-100
expression pedal–we had to share the pedal. I used the pedal for my gigs and when Paul needed it I would bring it over to him at 30 Rockefeller Center on my bicycle.” In the early 90s, when his New
York gigs began drying up, Jon was encouraged to go to Germany. “It was a hard time. My father had just died and there were very few gigs. I got the XB-2 organ right when I needed it, so I decided to
take a chance. I bought a roundtrip ticket to Frankfurt with an open return. I went with 50 bucks and stayed for a year. When I came back, I had 100 bucks.” Jon stayed at a friend’s house and played
a borrowed accordion on the street until he could get a band together. “I played on the street until my fingers turned blue and would collect enough money to get some fish soup. After about two weeks
I got a call—I had put a band together and had 3 gigs coming up. A TV show had heard my story and wanted to do a story on me. At the first gig 19 people came; the second only 15 people came. Then I
got the little spot on TV. When I came to the third gig people were lined up down the street. When I walked up I thought they were having an art exhibit. When they said, ‘No, they’re waiting for
you.’ I choked up, I couldn’t even talk. So I’ve been playing there every year since. The people in Germany really saved my musical career at a time when very few things were happening for me in New
York or San Francisco. I have a really good following in Europe. I keep busy as a musician in the States, playing hospitals and assisted living places, but my band dates I pretty much play overseas.”
Jon’s Late Rent Sessions was eventually released on a German label and received modest airplay. During the 90s he travelled back and forth to Europe, spending a year playing gigs in Paris, and
eventually settling in Hamburg. Since then he has released two more albums and has played gigs in Moscow, Shanghai, and Australia. With the help of the internet, Jon is able to produce his TV show
anywhere. PRESENT DAY In the mid-2000s Jon produced Hammondcast, a radio program for CBS that aired in San Francisco at four in the morning and was rebroadcast before Oakland A’s games. “When the
baseball games played in the afternoon, my show would play for about 20 minutes and then it was pre-empted. I had a lot of fun with that.” His guests included Danny Glover, Barry Melton from Country
Joe & the Fish, and many local people. “It took me awhile to figure out that I had permission to broadcast anything I wanted. I could play the London Philharmonic or Stevie Wonder. My tag line
was ‘Hello, Hello, Hello! Wake up or go back to sleep…’” Today, Jon continues to visit tradeshows and is determined to keep doing everything he does as long as he can. “I made a pact with my longtime
co-producer, guitarist Joe Berger, that we are going to go to these trade shows until we are little old men with canes.” Jon has released four CDs 
For more info visit
www.jonhammondband.com Jon's archive https://archive.org/details/JonHammondCakeFlowersandLateRent25YearsMusikmesseWarmUpPartyinJazzkeller
Youtube http://youtu.be/hozrJpHvV-4 Jon Hammond Band Facebook https://www.facebook.com/video.php?v=1011779378850859&pnref=story Dankeschön / Thanks for the flowers Musikmesse Team!
and all my friends who came out for this very special evening - Jon Hammond Chocolate on Chocolate Cake at Jon Hammond's annual musikmesse Warm Up Party in jazzkeller Frankfurt with Jon Hammond Band
and special guests for this special occasion celebrating 25 years in Musikmesse. Special acknowledgement of Wilhelm P. "Charly" Hosenseidl R.I.P. who was the Director of musikmesse years 1989-2008
now Directed by Wolfgang Luecke, special thanks to Messe Frankfurt Projekt and Presse Team! Jon Hammond Band: Joe Berger guitar Tony Lakatos tenor saxophone Giovanni Totò Gulino drums Jon Hammond -
XB-2 Hammond Organ - special thanks Hiromitsu Ono Chief Engineer Suzuki Musical Instruments designed my instrument which took me all around the world many times 
"Late Rent" Jon Hammond theme song for Jon Hammond
Show MNNTV and HammondCast Show KYOU Radio San Francisco CBS Radio Network Thanks Joe Lamond President CEO NAMM, TecAmp Jürgen Kunze and Thomas Eich - Puma Combo bass amp powering Jon Hammond's organ
Dankeschoen to Yücel Atiker, Tino Pavlis, Poehl, Bernie Capicchiano, Michael Falkenstein Hammond Suzuki Deutschland, Peggy Behling, Christine Vogel Messe Frankfurt, Saray Pastanesı Baeckerei &
Konditorei for Chocolate on Chocolate 25 Years Musikmesse Celebration Cake - Mainzer Landstrasse 131, 60327 Frankfurt am Main, Eugen Hahn Jazzkeller Frankfurt Team Kleine Bockenheimerstr. 18a
Frankfurt http://www.HammondCast.com/ 
Journal Frankfurt Article by Detlef Kinsler, LINK:
http://journal-frankfurt.de/funkyjazz 
Musik Rotthoff, Beatles Bought Guitars, In Store
Performance, Jon Hammond Band, #Rotthoff #Beatles #HammondOrgan
L to R Claus-Dieter Rotthoff, Joe
Berger, Jon Hammond - in-store Musik Rotthoff 
Musik Rotthoff, Musical Instruments, The Beatles, St. Pauli, Hamburg, Legendary Music Store, Blues, Hammond Organ, In Store, HD 720p H.264 download download 1 file MPEG4 download download 1 file OGG
VIDEO download download 1 file TORRENT download download 17 Files download 5 Original Producer Jon Hammond Language English Jon's archive https://archive.org/details/JonHammondJAZZBEAUXSCOTTMUNIWNEWHammondCast Views 612 #612 Youtube https://youtu.be/7W1zinL5iCQ 4,257 views #4257 Priceless film inside WNEW 1130AM New York with 2 Radio Legends: Al JAZZBEAUX COLLINS and SCOTT MUNI on JON HAMMOND'S
HammondCast: Hear Scott Muni tell Jazzbeaux about his days at "WABeatlesC" 
on the date commemorating when the Beatles first hit the shores of USA! As previously broadcast on Jon's TV show The Jon Hammond Show (24th year) and HammondCast on CBS' KYCY/KYOU
1550AM San Francisco California. Enjoy! *Official site: http://www.HammondCast.com c)2006 Usage Attribution-NonCommercial-NoDerivs Topics WNEW, Jazzbeaux, Scott Muni, HammondCast, BEATLES, WABeatlesC
512KB MPEG4 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 16 Files download 5 Original Producer Jon Hammond Scott Muni wiki
https://en.wikipedia.org/wiki/Scott_Muni Scott Muni (May 10, 1930 – September 28, 2004, aged 74) was an American disc jockey, who worked at the
heyday of the AM Top 40 format and then was a pioneer of FM progressive rock radio. Rolling Stone magazine termed him "legendary" Born Donald Allen Muñoz in Wichita, Kansas, Muni grew up in New
Orleans. He joined the United States Marine Corps and began broadcasting there in 1950, reading "Dear John" letters over Radio Guam. After leaving the Corps and having considered acting as a career,
he began working as a disc jockey; in 1953 he began working at WSMB in New Orleans. His mentor was Marshall Pearce. In 1955 he began broadcasting at station WAKR in Akron, Ohio, and after that worked
in Kankakee, Illinois. Views 96 #96 Youtube https://youtu.be/mN36dsQEFPo 149 views #149 Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics
Meckelnburg Vorpommern, Landesjugendjazzorchester, NDR Archive, Big Band, Michael Leuschner, Heinz Lichius, Camera, Zeughaus Wismar, Landesmusikrat, Jon Hammond, #HammondOrgan #Jazz #Wismar download
1 file H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT Organ Meets Bigband in The Zeughaus Wismar - Camera: Heinz Lichius Am 30.07.2015 ist
das Landesjugendjazzorchester Mecklenburg-Vorpommern (LaJazzO MV) mit seinem diesjährigen Solisten Jon Hammond in der Hansestadt Wismar zu Gast. 
https://www.facebook.com/events/1625578051045838/ Nachdem sich in den vergangenen Jahren das LaJazzO MV mit
den in der Big Band vorkommenden Instrumenten musikalisch auseinandersetzte, wird in 2015 die Jazzorgel musikalisch thematisiert werden. Unter dem Titel "Organ meets Big Band" wird dieses sehr
traditionsreiche Instrument der Jazzgeschichte in den Mittelpunkt der Konzertreihe im folgenden Jahr gestellt. Als Jazzinstrument wurde es von Fats Waller in den 30er Jahren eingeführt und hatte
seine Hochzeit in den 50er Jahren durch seine Vertreter wie Jimmy Smith. Der international renommierte New Yorker Jazzorganist Jon Hammond wird zusammen mit dem LaJazzO MV unter der Leitung von
Michael Leuschner den besonderen Charme dieses Instrumentes wieder zum Leben erwecken. Im Programm sind unter anderem Titel von Jimmy Smith, arrangiert von Steve Grey - eine Leihgabe aus dem Archiv
der NDR-Bigband. Jon Hammond studierte in den siebziger Jahren am Berklee College of Music und am City College San Francisco. Konzertreisen führten ihn quer durch die Vereinigten Staaten und Kanada.
In seiner eigenen 'Jon Hammond Show' spielte er mit Musikern wie Dizzy Gillespie, Paul Butterfield, Jaco Pastorius, John Entwistle, Sammy Davis Jr., Percy Sledge und vielen anderen. Auch in Europa
fand und findet seine Musik unverändert viele Anhänger. Die Medien berichten wiederholt von einem unverwechselbaren und prägenden Sound. Jon Hammond hat u.a. auf der 20. Frankfurter Musikmesse
mitgewirkt und tritt vornehmlich in Hamburg auf. "The Jon Hammond Show" is a funky, swinging Jazz instrumental revue, featuring notable international soloists and reflecting the influences of Miles
Davis, The Crusaders and Jimmy Smith. Programm: "Organ meets Bigband" Leitung: Michael Leuschner Donnerstag, d. 30.07.2015, 19:00 Zeughaus Wismar with Elli Soosz, Jan Rolle, Daniel Be, Leon Saleh,
Gabriel Rosenbach, Michael Leuschner, Heinz Lichius, Matthis Rasche, Hörni Thorun, Paul Gramkow, Marie Birkholz, Jan Boge, Ole Si, Elisabeth Guericke, Nane Schüßler, Henning Schiewer, Noah Jens,
Oliver Herlitzka, Anne-Katrin Meyer and Al Tobias at Zeughaus Wismar Producer Jon Hammond Language German Jon's archive https://archive.org/details/6842260423 AFM Local 6 Member Jon Hammond https://afm6.org/member-profile/jon-hammond-wheres-the-gig/ JON HAMMOND: “WHERE’S THE GIG?” - Alex Walsh Jon Hammond is a musician,
composer, bandleader, publisher, journalist, TV show host, radio DJ, and multi-media entrepreneur. He currently travels the world, playing gigs and attending trade shows. 
“Every time I see a
musician walking down the street I say, ‘Hey, where’s the gig?’ Because it doesn’t matter what kind of music you play, if you’re carrying an instrument–going to a rehearsal, or coming back from a
repair shop, whatever it is–we all need our gigs. And that’s what the union is all about. Hopefully, we can all keep working and be supportive of everybody’s gigs. There’s room for everybody.” THE
EARLY YEARS Jon Hammond was born in Chicago in 1953. His father was a doctor and his mother was a housewife. They both played the piano. In 1957, his parents moved Jon and his four sisters to
Berkeley, CA, where his father worked in a hospital as head of the emergency room. When he was nine, Jon started accordion lessons. “In those days, they had studios where parents would drop their
kids off after school for tap dancing and accordion lessons. There were accordion bands and they would compete against each other.” Jon played his first gig at a senior citizens luncheon when he was
eleven. Not only did he get a free lunch but he was paid $25 –a lot of money in those days. Jon says his father was supportive, but did not want him to pursue a music career. “He told me that music
was a great hobby. He got me a wonderful professional accordion for my Bar Mitzvah, directly from John Molinari, one of the greatest accordionists who ever lived. It was a Guilietti Professional Tone
Chamber accordion. That’s the accordion I won Jr. Jazz Champion on in 1966.” In high school, Jon attended a private boys school in San Francisco. He was a class clown, and when it got to the point
where he was going to be expelled, Jon took his accordion and ran away from home. He immersed himself in the San Francisco music scene and started playing organ in several bands. By 1971 he was in a
four piece rock group called Hades which shared a rehearsal space with Quicksilver Messenger Service. “I was friends with their manager, Ron Polte, who also managed guitarist John Cipollina. We got
to open for his band, Copperhead.” Jon continued to play gigs in the Bay Area in different configurations, including a few gigs with a young Eddie Money. By this time Jon had become frustrated with
the Bay Area scene. One night while playing a biker bar he got into a fight and his band didn’t come to his defense. “That was the last straw. I was angry and I said I wasn’t coming back.” 
Jon in the early 70s Jon
moved to Boston in 1973 to attend the Berklee School of Music. He also got a gig playing in Boston’s Combat Zone backing up burlesque shows. When Jon saw one of his idols, pianist Keith Jarrett play
in New York he told him he was going to Berklee and asked him for advice. “Keith looked me right in the eye and said ‘Berklee can be very dangerous for your music.’ It was like he popped this huge
bubble. Years later I came to understand what he was talking about. You have to learn the fundamentals, but the music itself comes from a much deeper place. They can’t teach that, you have to find it
yourself.” When Jon’s teachers began sitting in on his gigs in Boston, he questioned why he was in school if the teachers were coming to play with him. He quit school, moved to Cape Cod and started
playing with bandleader Lou Colombo. “He did all the private parties for Tip O’Neill. We played what they used to call the business man’s beat. On the gig it was forbidden to swing. It was like swing
cut in half. So if you tried to go with the four, Lou would say, ‘Don’t swing it, don’t swing it.’ He pounded it into my head night after night.” LATE RENT In 1981 Jon took a trip to Paris where he
broke through his writers block and wrote some of his best music. He returned to New York with his new tunes and started a production company with the idea of getting a record deal for a friend that
had played on a #1 hit record. After months of pounding the pavement with no results, Jon realized he had better work on his own music before his money ran out. He took the last of his savings,
including his upcoming rent money, and went into the studio to record what came to be known as “The Late Rent Sessions”. The session had Todd Anderson on tenor sax, Barry Finnerty on guitar, Stephen
Ferrone on drums, and Jon on B3. They recorded at Intergalactic, the last studio that John Lennon recorded in. Jon had no luck getting a record deal for his new project, but he did get gigs in New
York with his band Jon Hammond and the Late Rent Session Men. 
Jon Hammond Band Onstage
at NAMM, 2014: Joe Berger, Dom Famularo, Alex Budman, Koei Tanaka, Jon Hammond In 1982, Jon found out about public access television and the idea that anyone could produce a show and get it on TV. He
started broadcasting on Manhattan’s public station in 1984. “I decided I was going to produce a radio show on TV. The first episodes showed just my tapping foot and my voice. It was a gimmick. We had
graphics that were synchronized to go with the music. It worked out well. People dug it.” Within a few weeks, Jon was interviewed and featured in Billboard Magazine. The Jon Hammond Show was
considered an alternative to the clips on Cable TV. “MTV was still in its infancy. We had a concept that was revolutionary. My phone started ringing and we were the hot kids on the block.” LIVING
ABROAD Jon continued to play gigs in New York and produce his TV show. In 1987, he went to his first trade show (NAMM) where he was introduced to Mr. Julio Guilietti, the man who built his accordion.
He then began traveling to trade shows and making contacts with musicians and companies around the world, including Hammond Suzuki. “They gave me the Hammond XB-2, the first really powerful portable
Hammond organ. Glenn Derringer, one of my all-time heroes, presented it to me. I got one of the first. Paul Shaffer from the Letterman Show got the other. At the time there was only one EXP-100
expression pedal–we had to share the pedal. I used the pedal for my gigs and when Paul needed it I would bring it over to him at 30 Rockefeller Center on my bicycle.” In the early 90s, when his New
York gigs began drying up, Jon was encouraged to go to Germany. “It was a hard time. My father had just died and there were very few gigs. I got the XB-2 organ right when I needed it, so I decided to
take a chance. I bought a roundtrip ticket to Frankfurt with an open return. I went with 50 bucks and stayed for a year. When I came back, I had 100 bucks.” Jon stayed at a friend’s house and played
a borrowed accordion on the street until he could get a band together. “I played on the street until my fingers turned blue and would collect enough money to get some fish soup. After about two weeks
I got a call—I had put a band together and had 3 gigs coming up. A TV show had heard my story and wanted to do a story on me. At the first gig 19 people came; the second only 15 people came. Then I
got the little spot on TV. When I came to the third gig people were lined up down the street. When I walked up I thought they were having an art exhibit. When they said, ‘No, they’re waiting for
you.’ I choked up, I couldn’t even talk. So I’ve been playing there every year since. The people in Germany really saved my musical career at a time when very few things were happening for me in New
York or San Francisco. I have a really good following in Europe. I keep busy as a musician in the States, playing hospitals and assisted living places, but my band dates I pretty much play overseas.”
Jon’s Late Rent Sessions was eventually released on a German label and received modest airplay. During the 90s he travelled back and forth to Europe, spending a year playing gigs in Paris, and
eventually settling in Hamburg. Since then he has released two more albums and has played gigs in Moscow, Shanghai, and Australia. With the help of the internet, Jon is able to produce his TV show
anywhere. PRESENT DAY In the mid-2000s Jon produced Hammondcast, a radio program for CBS that aired in San Francisco at four in the morning and was rebroadcast before Oakland A’s games. “When the
baseball games played in the afternoon, my show would play for about 20 minutes and then it was pre-empted. I had a lot of fun with that.” His guests included Danny Glover, Barry Melton from Country
Joe & the Fish, and many local people. “It took me awhile to figure out that I had permission to broadcast anything I wanted. I could play the London Philharmonic or Stevie Wonder. My tag line
was ‘Hello, Hello, Hello! Wake up or go back to sleep…’” Today, Jon continues to visit tradeshows and is determined to keep doing everything he does as long as he can. “I made a pact with my longtime
co-producer, guitarist Joe Berger, that we are going to go to these trade shows until we are little old men with canes.” Jon has released four CDs 
For more info visit
www.jonhammondband.com Jon's archive https://archive.org/details/JonHammondCakeFlowersandLateRent25YearsMusikmesseWarmUpPartyinJazzkeller
Youtube http://youtu.be/hozrJpHvV-4 Jon Hammond Band Facebook https://www.facebook.com/video.php?v=1011779378850859&pnref=story Dankeschön / Thanks for the flowers Musikmesse Team!
and all my friends who came out for this very special evening - Jon Hammond Chocolate on Chocolate Cake at Jon Hammond's annual musikmesse Warm Up Party in jazzkeller Frankfurt with Jon Hammond Band
and special guests for this special occasion celebrating 25 years in Musikmesse. Special acknowledgement of Wilhelm P. "Charly" Hosenseidl R.I.P. who was the Director of musikmesse years 1989-2008
now Directed by Wolfgang Luecke, special thanks to Messe Frankfurt Projekt and Presse Team! Jon Hammond Band: Joe Berger guitar Tony Lakatos tenor saxophone Giovanni Totò Gulino drums Jon Hammond -
XB-2 Hammond Organ - special thanks Hiromitsu Ono Chief Engineer Suzuki Musical Instruments designed my instrument which took me all around the world many times 
"Late Rent" Jon Hammond theme song for Jon Hammond
Show MNNTV and HammondCast Show KYOU Radio San Francisco CBS Radio Network Thanks Joe Lamond President CEO NAMM, TecAmp Jürgen Kunze and Thomas Eich - Puma Combo bass amp powering Jon Hammond's organ
Dankeschoen to Yücel Atiker, Tino Pavlis, Poehl, Bernie Capicchiano, Michael Falkenstein Hammond Suzuki Deutschland, Peggy Behling, Christine Vogel Messe Frankfurt, Saray Pastanesı Baeckerei &
Konditorei for Chocolate on Chocolate 25 Years Musikmesse Celebration Cake - Mainzer Landstrasse 131, 60327 Frankfurt am Main, Eugen Hahn Jazzkeller Frankfurt Team Kleine Bockenheimerstr. 18a
Frankfurt http://www.HammondCast.com/ 
Journal Frankfurt Article by Detlef Kinsler, LINK:
http://journal-frankfurt.de/funkyjazz 
Musik Rotthoff, Beatles Bought Guitars, In Store
Performance, Jon Hammond Band, #Rotthoff #Beatles #HammondOrgan