#WATCHMOVIE HERE:
NAMM Show
Late Rent Jon Hammond Show Theme Song all star band including Donny Baldwin from Jefferson Starship Jon's archive
https://archive.org/details/JonHammondNAMMHammondSummitShowLateRentJonHammondBandinHiltonAnaheim
Views 558 #558 Youtube
https://youtu.be/BOqqIxm_F30 511 views #511 Very special performance on first ever Hammond night in Hilton Hotel Lobby at Winter NAMM
2013 presented by Hammond Suzuki USA "Sound Soul Summit" Peter Nguyen CFO Hammond Suzuki USA and Jon Hammond
Joe Lamond President CEO of NAMM with Jon Hammond accepting Believe in Music Award plaque
L to R Jon Hammond, Chester Thompson, Scott May
Stevie Wonder and Jon Hammond - One More Time!
Jon
Hammond plays the New B3 Portable Organ
"The Ultimate All-Star Jam" MC Scott May introduces Jon Hammond Band to play their theme song "Late Rent" after a very cool pre-show party Meet and Greet with a who's who of
Hammond organists. Donny Baldwin drums (from Jefferson Starship & Lydia Pense & Cold Blood), Alex Budman tenor saxophone Joe Berger guitar Jon Hammond New B-3 Portable organ Sound mix by
Denny Mack Special thanks Hammond Suzuki USA and Suzuki Musical Instruments Team NAMM = National Association of Music Merchants http://www.jonhammondband.com NAMM Hilton Sound Soul Summit Jon Hammond
Band Late Rent Jazz Funk Soul Blues Usage Attribution-NonCommercial-NoDerivs Topics NAMM, Sound Soul Summit, Jon Hammond Band, B3 organ, Late Rent, Jazz, Blues, Funk H.264 download download 1 file
OGG VIDEO download download 1 file QUICKTIME download download 1 file TORRENT download download 29 Files download 4 Original Producer Jon Hammond Jon's archive
http://ia802300.us.archive.org/27/items/CookingAtTheAusterBarJonHammondBandWithNDRHorns/Cooking%20at%20The%20Auster%20Bar%20Jon%20Hammond%20Band%20With%20NDR%20Horns.mp4
Absolutely cooking session in Hamburg Germany - Full High Definition Version: Jon Hammond Band with The NDR Horns until the last minute when music must stop 10PM / 22:00 Auster Bar is in residential
quarter of Eimsbüttel HH,
The Musicians: Heinz Lichius drums, Joe Berger
guitar, Lutz Büchner tenor saxophone, Ernst-Friedrich Fiete Felsch alto saxophone, Michael Leuschner musical director / trumpet, Jon Hammond organ + bass Youtube
http://youtu.be/BqtFWKBeC0c CNN iReport
http://ireport.cnn.com/docs/DOC-1169984 Dailymotion
http://www.dailymotion.com/video/x25vc7e_cooking-at-the-auster-bar-jon-hammond-band-with-ndr-horns_music
Jon Hammond Band Facebook
https://www.facebook.com/video.php?v=899275236767941 - special thanks Nicolai Ditsch for operating the
camera - Auster Bar Team Frank Blume, Torsten Wendt, Musik Rotthoff support, Knut Benzner NDR Redaktion - as seen on MNN TV / TV Producers of Manhattan Neighborhood Network [MNN] The Jon Hammond Show
http://www.HammondCast.com/ Jon's archive
https://archive.org/details/NoXCessBaggageBluesAMACParty L. to R.: Kerry Jacobson drums, Neil Wickham tenor sax, Jon Hammond B3 organ
Band Shot
Jon Hammond Trio kicking off the AMAC Party in Gold Coast Australia, funky blues and jazz
"No X-Cess Baggage Blues" - Kerry Jacobson drums, Neil Wickham tenor, Jon Hammond B3 organ
http://www.HammondCast.com Australian Music Association Convention
special thanks to Rob Walker and the AMAC Crew #AMAC14 Bernies Music Land - JH AMAC Convention Back In Gold Coast for 2014 Youtube
http://youtu.be/TwFv0hd7Xj8 Vimeo
http://vimeo.com/103950098 CNN iReport
http://ireport.cnn.com/docs/DOC-1163733 Dailymotion
http://www.dailymotion.com/video/x245ky3_no-x-cess-baggage-blues-amac-party_music Jon's Archive
https://archive.org/details/CountUsInChoirPerformingAtAustralianMusicAssnConvention The Combined Gold Coast
Schools Music "Count Us In Choir" - special presentation at Australian Music Association Convention AMAC with opening remarks by Chris Bowen CEO Music Council of Australia and Steve Ciobo, MP
Parliamentary Secretary to The Treasurer Federal Member for Moncrieff - with closing remarks from Tony Burn President AMA
http://www.mca.org.au Camera: Jon Hammond
HammondCast — Big Thanks to all the students who came to perform for AMAC 2014 from the Combined Gold Coast Schools "Count Us In Choir"! Big Hit at Australian Music Association Convention - Waltzing
Matilda brought the house down! #AMAC14 - Jon Hammond — at Jupiters Gold Coast
HammondCast Bernies Music Land Team - AMAC Australian Music
Association Convention
Tony Burn President AMA - Australian Music Association
Youtube http://youtu.be/HQDKXs2fvzM Youtube
https://youtu.be/mN36dsQEFPo 149 views #149 Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics Meckelnburg Vorpommern, Landesjugendjazzorchester, NDR
Archive, Big Band, Michael Leuschner, Heinz Lichius, Camera, Zeughaus Wismar, Landesmusikrat, Jon Hammond, #HammondOrgan #Jazz #Wismar download 1 file H.264 download download 1 file MPEG4 download
download 1 file OGG VIDEO download download 1 file TORRENT Organ Meets Bigband in The Zeughaus Wismar - Camera: Heinz Lichius Am 30.07.2015 ist das Landesjugendjazzorchester Mecklenburg-Vorpommern
(LaJazzO MV) mit seinem diesjährigen Solisten Jon Hammond in der Hansestadt Wismar zu Gast.
https://www.facebook.com/events/1625578051045838/ Nachdem sich in den vergangenen Jahren das LaJazzO MV mit
den in der Big Band vorkommenden Instrumenten musikalisch auseinandersetzte, wird in 2015 die Jazzorgel musikalisch thematisiert werden. Unter dem Titel "Organ meets Big Band" wird dieses sehr
traditionsreiche Instrument der Jazzgeschichte in den Mittelpunkt der Konzertreihe im folgenden Jahr gestellt. Als Jazzinstrument wurde es von Fats Waller in den 30er Jahren eingeführt und hatte
seine Hochzeit in den 50er Jahren durch seine Vertreter wie Jimmy Smith. Der international renommierte New Yorker Jazzorganist Jon Hammond wird zusammen mit dem LaJazzO MV unter der Leitung von
Michael Leuschner den besonderen Charme dieses Instrumentes wieder zum Leben erwecken. Im Programm sind unter anderem Titel von Jimmy Smith, arrangiert von Steve Grey - eine Leihgabe aus dem Archiv
der NDR-Bigband. Jon Hammond studierte in den siebziger Jahren am Berklee College of Music und am City College San Francisco. Konzertreisen führten ihn quer durch die Vereinigten Staaten und Kanada.
In seiner eigenen 'Jon Hammond Show' spielte er mit Musikern wie Dizzy Gillespie, Paul Butterfield, Jaco Pastorius, John Entwistle, Sammy Davis Jr., Percy Sledge und vielen anderen. Auch in Europa
fand und findet seine Musik unverändert viele Anhänger. Die Medien berichten wiederholt von einem unverwechselbaren und prägenden Sound. Jon Hammond hat u.a. auf der 20. Frankfurter Musikmesse
mitgewirkt und tritt vornehmlich in Hamburg auf. "The Jon Hammond Show" is a funky, swinging Jazz instrumental revue, featuring notable international soloists and reflecting the influences of Miles
Davis, The Crusaders and Jimmy Smith. Programm: "Organ meets Bigband" Leitung: Michael Leuschner Donnerstag, d. 30.07.2015, 19:00 Zeughaus Wismar with Elli Soosz, Jan Rolle, Daniel Be, Leon Saleh,
Gabriel Rosenbach, Michael Leuschner, Heinz Lichius, Matthis Rasche, Hörni Thorun, Paul Gramkow, Marie Birkholz, Jan Boge, Ole Si, Elisabeth Guericke, Nane Schüßler, Henning Schiewer, Noah Jens,
Oliver Herlitzka, Anne-Katrin Meyer and Al Tobias at Zeughaus Wismar Producer Jon Hammond Language German Jon's archive
https://archive.org/details/6842260423 AFM Local 6 Member Jon Hammond
https://afm6.org/member-profile/jon-hammond-wheres-the-gig/ JON HAMMOND: “WHERE’S THE GIG?” - Alex Walsh Jon Hammond is a musician,
composer, bandleader, publisher, journalist, TV show host, radio DJ, and multi-media entrepreneur. He currently travels the world, playing gigs and attending trade shows.
“Every time I see a
musician walking down the street I say, ‘Hey, where’s the gig?’ Because it doesn’t matter what kind of music you play, if you’re carrying an instrument–going to a rehearsal, or coming back from a
repair shop, whatever it is–we all need our gigs. And that’s what the union is all about. Hopefully, we can all keep working and be supportive of everybody’s gigs. There’s room for everybody.” THE
EARLY YEARS Jon Hammond was born in Chicago in 1953. His father was a doctor and his mother was a housewife. They both played the piano. In 1957, his parents moved Jon and his four sisters to
Berkeley, CA, where his father worked in a hospital as head of the emergency room. When he was nine, Jon started accordion lessons. “In those days, they had studios where parents would drop their
kids off after school for tap dancing and accordion lessons. There were accordion bands and they would compete against each other.” Jon played his first gig at a senior citizens luncheon when he was
eleven. Not only did he get a free lunch but he was paid $25 –a lot of money in those days. Jon says his father was supportive, but did not want him to pursue a music career. “He told me that music
was a great hobby. He got me a wonderful professional accordion for my Bar Mitzvah, directly from John Molinari, one of the greatest accordionists who ever lived. It was a Guilietti Professional Tone
Chamber accordion. That’s the accordion I won Jr. Jazz Champion on in 1966.” In high school, Jon attended a private boys school in San Francisco. He was a class clown, and when it got to the point
where he was going to be expelled, Jon took his accordion and ran away from home. He immersed himself in the San Francisco music scene and started playing organ in several bands. By 1971 he was in a
four piece rock group called Hades which shared a rehearsal space with Quicksilver Messenger Service. “I was friends with their manager, Ron Polte, who also managed guitarist John Cipollina. We got
to open for his band, Copperhead.” Jon continued to play gigs in the Bay Area in different configurations, including a few gigs with a young Eddie Money. By this time Jon had become frustrated with
the Bay Area scene. One night while playing a biker bar he got into a fight and his band didn’t come to his defense. “That was the last straw. I was angry and I said I wasn’t coming back.”
Jon in the early 70s Jon
moved to Boston in 1973 to attend the Berklee School of Music. He also got a gig playing in Boston’s Combat Zone backing up burlesque shows. When Jon saw one of his idols, pianist Keith Jarrett play
in New York he told him he was going to Berklee and asked him for advice. “Keith looked me right in the eye and said ‘Berklee can be very dangerous for your music.’ It was like he popped this huge
bubble. Years later I came to understand what he was talking about. You have to learn the fundamentals, but the music itself comes from a much deeper place. They can’t teach that, you have to find it
yourself.” When Jon’s teachers began sitting in on his gigs in Boston, he questioned why he was in school if the teachers were coming to play with him. He quit school, moved to Cape Cod and started
playing with bandleader Lou Colombo. “He did all the private parties for Tip O’Neill. We played what they used to call the business man’s beat. On the gig it was forbidden to swing. It was like swing
cut in half. So if you tried to go with the four, Lou would say, ‘Don’t swing it, don’t swing it.’ He pounded it into my head night after night.” LATE RENT In 1981 Jon took a trip to Paris where he
broke through his writers block and wrote some of his best music. He returned to New York with his new tunes and started a production company with the idea of getting a record deal for a friend that
had played on a #1 hit record. After months of pounding the pavement with no results, Jon realized he had better work on his own music before his money ran out. He took the last of his savings,
including his upcoming rent money, and went into the studio to record what came to be known as “The Late Rent Sessions”. The session had Todd Anderson on tenor sax, Barry Finnerty on guitar, Stephen
Ferrone on drums, and Jon on B3. They recorded at Intergalactic, the last studio that John Lennon recorded in. Jon had no luck getting a record deal for his new project, but he did get gigs in New
York with his band Jon Hammond and the Late Rent Session Men.
Jon Hammond Band Onstage
at NAMM, 2014: Joe Berger, Dom Famularo, Alex Budman, Koei Tanaka, Jon Hammond In 1982, Jon found out about public access television and the idea that anyone could produce a show and get it on TV. He
started broadcasting on Manhattan’s public station in 1984. “I decided I was going to produce a radio show on TV. The first episodes showed just my tapping foot and my voice. It was a gimmick. We had
graphics that were synchronized to go with the music. It worked out well. People dug it.” Within a few weeks, Jon was interviewed and featured in Billboard Magazine. The Jon Hammond Show was
considered an alternative to the clips on Cable TV. “MTV was still in its infancy. We had a concept that was revolutionary. My phone started ringing and we were the hot kids on the block.” LIVING
ABROAD Jon continued to play gigs in New York and produce his TV show. In 1987, he went to his first trade show (NAMM) where he was introduced to Mr. Julio Guilietti, the man who built his accordion.
He then began traveling to trade shows and making contacts with musicians and companies around the world, including Hammond Suzuki. “They gave me the Hammond XB-2, the first really powerful portable
Hammond organ. Glenn Derringer, one of my all-time heroes, presented it to me. I got one of the first. Paul Shaffer from the Letterman Show got the other. At the time there was only one EXP-100
expression pedal–we had to share the pedal. I used the pedal for my gigs and when Paul needed it I would bring it over to him at 30 Rockefeller Center on my bicycle.” In the early 90s, when his New
York gigs began drying up, Jon was encouraged to go to Germany. “It was a hard time. My father had just died and there were very few gigs. I got the XB-2 organ right when I needed it, so I decided to
take a chance. I bought a roundtrip ticket to Frankfurt with an open return. I went with 50 bucks and stayed for a year. When I came back, I had 100 bucks.” Jon stayed at a friend’s house and played
a borrowed accordion on the street until he could get a band together. “I played on the street until my fingers turned blue and would collect enough money to get some fish soup. After about two weeks
I got a call—I had put a band together and had 3 gigs coming up. A TV show had heard my story and wanted to do a story on me. At the first gig 19 people came; the second only 15 people came. Then I
got the little spot on TV. When I came to the third gig people were lined up down the street. When I walked up I thought they were having an art exhibit. When they said, ‘No, they’re waiting for
you.’ I choked up, I couldn’t even talk. So I’ve been playing there every year since. The people in Germany really saved my musical career at a time when very few things were happening for me in New
York or San Francisco. I have a really good following in Europe. I keep busy as a musician in the States, playing hospitals and assisted living places, but my band dates I pretty much play overseas.”
Jon’s Late Rent Sessions was eventually released on a German label and received modest airplay. During the 90s he travelled back and forth to Europe, spending a year playing gigs in Paris, and
eventually settling in Hamburg. Since then he has released two more albums and has played gigs in Moscow, Shanghai, and Australia. With the help of the internet, Jon is able to produce his TV show
anywhere. PRESENT DAY In the mid-2000s Jon produced Hammondcast, a radio program for CBS that aired in San Francisco at four in the morning and was rebroadcast before Oakland A’s games. “When the
baseball games played in the afternoon, my show would play for about 20 minutes and then it was pre-empted. I had a lot of fun with that.” His guests included Danny Glover, Barry Melton from Country
Joe & the Fish, and many local people. “It took me awhile to figure out that I had permission to broadcast anything I wanted. I could play the London Philharmonic or Stevie Wonder. My tag line
was ‘Hello, Hello, Hello! Wake up or go back to sleep…’” Today, Jon continues to visit tradeshows and is determined to keep doing everything he does as long as he can. “I made a pact with my longtime
co-producer, guitarist Joe Berger, that we are going to go to these trade shows until we are little old men with canes.” Jon has released four CDs
For more info visit
www.jonhammondband.com Jon Hammond Funk Unit
https://www.namm.org/summer/2015/events/jon-hammond-funk-unit JON HAMMOND Instruments: Organ, Accordion, Piano, Guitar Attended:
Berklee College of Music 1974, City College San Francisco Languages: English, German Jon is closely identified with the two main products of his career, the Excelsior Accordion and the Hammond Organ.
Musician: Jon Hammond is one of the premier B3 PLAYERS in the world. Jon has played professionally since age 12. Beginning as a solo accordionist, he later played Hammond B3 organ in a number of
important San Francisco bands. His all original group HADES opened shows for Tower of Power, Quicksilver Messenger Service and Michael Bloomfield. Eddie Money and Barry Finnerty became musical
associates. Moving East he attended Berklee College of Music and played venues as diverse as Boston's "Combat Zone" in the striptease clubs during the '70's and the exclusive Wychmere Harbor Club in
Cape Cod, where he was house organist with the late great trumpet player Lou Colombo and developed a lasting friendship with House Speaker Tip O'Neill. He also toured the Northeast and Canada with
the successful show revue "Easy Living", and continued his appearances at nightclubs in Boston and New York. Subsequently Hammond lived and traveled in Europe, where he has an enthusiastic following.
TV/Video Producer: In 1981 Jon formed BackBeat Productions. Assisted by Lori Friedman (Video by LORI), the innovative TV show "The Jon Hammond Show" became a Manhattan Cable TV favorite. Jon's "Live
on the street" video style included news events, as well as live music/video clips of Dizzy Gillespie, Paul Butterfield, Jaco Pastorius, John Entwistle, Sammy Davis Jr., Percy Sledge and many others.
The weekly show is now in it's 30th year and has influenced the broadcasts of David Letterman and others. Billboard Magazine hailed Jon's show as "The Alternative to MTV". LINK
http://youtu.be/7TApELTO1XI Head Phone - Jon Hammond Band THE SOUND SOUL SUMMIT All-Star Jam Video Movie of Jon's Band Featuring Bernard Bernard "Pretty" Purdie,
Alex Budman, Joe Berger2, Koei Tanaka, Jon Hammond Organ Group
funky jazz http://www.journal-frankfurt.de/funkyjazz Tuesday, April 5 at
9 PM
Musikmesse Warm Up Party celebrating 30 years Best Party of The Year! Jon Hammond’s annual musikmesse Warm Up Party in jazzkeller
Tuesday April 5th 2016 celebrating 30 years Jon Hammond’s annual musikmesse Warm Up Party in jazzkeller Tuesday April 5th 2016 celebrating 30 years Jon's archive
https://archive.org/details/JonHammondsMusikmesseWarmUpPartyJazzkeller Jon Hammond – organ Joe Berger – guitar Peter
Klohmann – saxophone Giovanni Totò Gulino – drums Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!” The Jon
Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic "Werden Sie im Jazzkeller wieder eine
Hammond Orgel spielen? Ja, sicher, das neueste Modell, eine Sk1, die exakt so klingt wie die legendäre B3. Ich liebe sie. Und sie wiegt nur noch sieben Kilo (Anm. des Autors: Das Original, ein echtes
Möbel mit viel Holz, mussten immer zwei Menschen mit viel Muskelkraft die Treppen rauf und runter hieven), ein deutliches Indiz, dass wir in der Zukunft angekommen sind. Da stecken viele Jahre
Forschung und Entwicklung drin, auch Bühnenerprobungen. Ich ziehe den Hut vor den Ingenieuren von Suzuki, ein unverwüstliches Instrument erschaffen zu haben. Und das unterziehe ich jetzt einen echten
Härttest (lacht)." Interview: Detlef Kinsler
Web:
www.jazzkeller.com /
www.jonhammondband.com photo by Lawrence Gay co-producer of West Coast Live Radio Program
Theme Song, New B3, Donny
Baldwin, #LateRent #NAMMShow #JazzFunk #HammondOrgan