Jon Hammond at the Organ and Microphone
#WATCH MOVIE HERE: Grand Opening SMALLS JAZZ CLUB JON HAMMOND Band
Jon's archive https://archive.org/details/JonHammondSMALLSJAZZClubOpeningJONHAMMONDBand Views 521 #521 Youtube
https://youtu.be/JCBPrrZmsE0 1,531 views #1531 JON HAMMOND Band with all star lineup opening the scene by bringing in for first time ALEX FOSTER saxophonist
of SATURDAY NIGHT LIVE Band searing solo featured on this film in intimate setting playing Jon's hit composition "LYDIA'S TUNE" 
JON HAMMOND at the XB-2 Hammond Organ with Rhythm Section of RAY GRAPPONE drms CHUGGY CARTER perc BARRY FINNERTY gtr, Jon just back in New York from living in Paris where
he composed the song. Catch Jon's radio show HammondCast 7 mornings a week on KYOU & KYCY 1550 AM CBS San Francisco CA http://www.HammondCast.com ©JH INTL
JON HAMMOND International ASCAP Jon's archive https://archive.org/details/JonHammondRUGTIMEOsakaJONHAMMONDatB3Organ
Views 1,006 #1006 Youtube https://youtu.be/k-iRPQ3JOPs 13,511 views #13511 There were no carpets in Rug Time, when JON HAMMOND arrived he said: "Everybody
break out your carpets...because it's RUG TIME!" (famous Organ Lounge in Osaka...they must have meant "Ragtime") 
A MUST SEE when you're in Osaka KIX Japan! accompanied by Hidefumi Nose (guitar) and Kengo Komae (drums). *Special thanks OSAMU YAMAMOTO YS Corp. & MIDORI ONO. Bossa Nova version of "Shadow Of
Your Smile" *Jon is Host of CBS Radio KYCY/KYOU "Jon Hammond's Afternoon Slide" M-F 3PM PST 1550 AM on the dial in San Francisco CA. *More Info: http://www.HammondCast.com Jon's archive https://archive.org/details/JonHammondBand2ndSetAfterBirthdayCakeBreak Youtube https://youtu.be/o2--TIC-frk Vimeo https://vimeo.com/166375459 Facebook video https://www.facebook.com/hammondcast/videos/10153459987517102/ Note from Jon Hammond Video: Tino Pavlis https://www.facebook.com/notes/jon-hammond-band/best-party-of-the-year-jon-hammonds-annual-musikmesse-warm-up-party-in-jazzkelle/1107482975950736
Best Party of The Year! Jon Hammond’s annual musikmesse Warm Up Party in Jazzkeller Tuesday April 5th 2016 celebrating 30 years Jon Hammond – organ Joe Berger – guitar Peter Klohmann – saxophone
Giovanni Totò Gulino – drums Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!” The Jon Hammond Show is a funky
swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic - Jon's birthday cake by Saray Pastanesi Jon Hammond Band
Frankfurt to Nashville With Detour to Hollywood
Musikmesse ASCAP Expo Summer NAMM Show http://kernelpanichammondcast.blogspot.com/2016/05/frankfurt-to-nashville-with-detour-to.html
Sony GCS-1 SuperBetaMovie Industrial Camera in the field with Jon Hammond - I wore out 3 of these cameras filming for my Public Access TV Show The Jon Hammond Show on MCTV, MNN TV and now
streaming - we are still on 34th year late Friday nights / early Saturday mornings 01:30 AM EST - 28 minute program, Music, Travel and Soft News The camera was way ahead of it's time! - Jon Hammond
John Entwistle of The
Who with Jon Hammond and his Sony GCS-1 - John is playing one of his custom made Warwick Buzzard basses, pure ebony 
Jon's archive https://archive.org/details/JonHammondCIrca89JonHammondShowMCTVwEddieMoneyJohnEntwistleJoeBergerBonusKennyBridgeDiver
Action-packed vintage clip from the long-running (24th year) NYC cable-access TV show "The Jon Hammond Show" has classic opening with Video by LORI, Eddie Money spot filmed the night he did David
Letterman with Ronnie Spector "Take Me Home Tonight". Also a spot for Joe Berger's Impromptu Video Movie with voice-over by Jon Hammond featuring John Entwistle (RIP) of the WHO & Jack Bruce of
CREAM. This spot was a noble attempt at marketing that went awry. Joe unfortunately got ripped off by the people who were supposed to run the ad nation-wide 1989, but we've got it for you
here..enjoy! ©2007 http://www.HammondCast.com *BONUS: Kenny the Belly-flop Bridge Swan Diver..ouch! Betamax Wiki https://en.wikipedia.org/wiki/Betamax Betamax (also called Beta, and referred to as such in the logo) is a consumer-level analog videocassette magnetic
tape recording format developed by Sony, released in Japan on May 10, 1975. [1] The first Betamax introduced in America was the LV-1901 console, which included a 19" color monitor, and appeared in
stores in early November, 1975. The cassettes contain .50 in (12.7 mm)-wide videotape in a design similar to the earlier, professional .75 in (19 mm) wide, U-matic format. The format is obsolete,
having lost the videotape format war[2] to VHS. Betamax recorders ceased production in 2002, but the format's cassette tapes were available until March 2016, when Sony discontinued them.[3] Like the
rival videotape format VHS (introduced in Japan by JVC in October 1976[4] and in the United States by RCA in August 1977[5]), Betamax had no guard band and used azimuth recording to reduce crosstalk.
According to Sony's own history webpages, the name came from a double meaning: beta being the Japanese word used to describe the way signals were recorded onto the tape, and from the fact that when
the tape ran through the transport, it looked like the Greek letter beta (β). The suffix -max, from the word "maximum", was added to suggest greatness.[6] In 1977, Sony came out with the first long
play Betamax VCR, the SL-8200. This VCR had two recording speeds: normal, and the newer half speed. This provided two hours recording time on the L-500 Beta videocassette. The SL-8200 was to compete
against the VHS VCRs which had 2 or 4 hours of recording time.[7] Sanyo marketed a version as Betacord, but this was also referred to casually as "Beta". In addition to Sony and Sanyo, Beta-format
video recorders were manufactured and sold by Toshiba, Pioneer, Murphy, Aiwa, and NEC. The Zenith Electronics Corporation and WEGA Corporations contracted with Sony to produce VCRs for their product
lines. Department stores like Sears (in the United States and Canada) and Quelle (Germany) sold Beta-format VCRs under their house brands, as did the RadioShack chain of electronic stores. Betamax
and VHS competed in a fierce format war, which saw VHS come out on top in most markets. n early 1985, Sony would introduce a new feature, High Band or SuperBeta, by again shifting the Y carrier—this
time by 800 kHz. This improved the bandwidth available to the Y sideband and increased the horizontal resolution from 240 to 290 lines on a regular-grade Betamax cassette. Since over-the-antenna and
cable signals were only 300–330 lines resolution, SuperBeta could make a nearly identical copy of live television. However, the chroma resolution still remained relatively poor, limited to just under
0.4 MHz or approximately 30 lines resolution, whereas live broadcast chrominance resolution was over 100 lines. The heads were also narrowed to 29 μm to reduce crosstalk, with a narrower head gap to
play back the higher carrier frequency at 5.6 MHz. Later, some models would feature further improvement, in the form of Beta-Is, a high band version of the Beta-I recording mode. There were some
incompatibilities between the older Beta decks and SuperBeta, but most could play back a high band tape without major problems. SuperBeta decks had a switch to disable the SuperBeta mode for
compatibility purposes. (SuperBeta was only marginally supported outside of Sony, as many licensees had already discontinued their Betamax line.)[19][20] In 1988, Sony would again push the envelope
with ED Beta, or "Extended Definition" Betamax, capable of up to 500 lines of resolution, that equaled DVD quality (480 typical). In order to store the ~6.5 MHz-wide luma signal, with the peak
frequency at 9.3 MHz, Sony used a metal formulation tape borrowed from the Betacam SP format (branded "ED-Metal") and incorporated some improvements to the transport to reduce mechanically induced
aberrations in the picture. Beta ED also featured a luminance carrier deviation of 2.5 MHz, as opposed to the 1.2 MHz used in SuperBeta, improving contrast with reduced luminance noise.[21] Sony
introduced two ED decks and a camcorder in the late 1980s. The top end EDV-9500 (EDV-9300 in Canada) deck was a very capable editing deck, rivaling much more expensive U-Matic set-ups for its
accuracy and features, but did not have commercial success due to lack of timecode and other pro features. Sony did market Beta ED to "semiprofessional" users, or "prosumers". One complaint about the
EDC-55 ED CAM was that it needed a lot of light (at least 25 lux), due to the use of two CCDs instead of the typical single-CCD imaging device. The Beta ED lineup only recorded in BII/BIII modes,
with the ability to play back BI/BIs.[22] Despite the sharp decline in sales of Betamax recorders in the late 1980s and subsequent halt in production of new recorders by Sony in 2002, both Betamax
and SuperBetamax are still being used by a small number of people. New cassettes are still available for purchase at online shops and used recorders are often found at flea markets, thrift stores or
on Internet auction sites. Early format BetaCam cassettes—which are physically based on the Betamax cassette—continue to be available for use in the professional media. Comparison with other video
formats[edit] Size comparison between a Betamax cassette (top) and a VHS cassette (bottom). Below is a list of modern, digital-style resolutions (and traditional analog "TV lines per picture height"
measurements) for various media. The list only includes popular formats. All values are approximate NTSC resolutions. For PAL systems, replace "480" with "576". Note that listed resolution applies to
luminance only, with chroma resolution usually halved in each dimension for digital formats, and significantly lower for analog formats. Resolution based on the quality with a standard Kell factor of
0.7:[citation needed] 350×480 (250 lines per picture height): Umatic, Betamax, VHS, Video8 420×480 (300 lines per picture height): Super Betamax, Betacam (professional) 460×480 (330 lines per picture
height): Analog Broadcast 590×480 (420 lines per picture height): LaserDisc, Super VHS, Hi8 700×480 (500 lines per picture height): Extended Definition Betamax Pal Systems, 350×576 (250 lines per
picture height): Umatic, Betamax, VHS, Video8 420×576 (300 lines per picture height): Super Betamax, Betacam (professional) 460×576 (330 lines per picture height): Analog Broadcast 590×576 (420 lines
per picture height): LaserDisc, Super VHS, Hi8 700×576 (500 lines per picture height): Extended Definition Betamax [23][not in citation given] Digital formats Quality based on the resolution with a
standard Kell factor of 0.7:[citation needed] 352×240 (240 lines per picture height): Video CD 480×480 (330 lines per picture height): SVCD 720×480 (504 lines per picture height): 4:3 DVD, Anamorphic
Widescreen DVD, DV, miniDV, Digital8 720×360 (504 lines per picture height): Letterbox Widescreen DVD 1280×720 (896 lines per picture height): AVCHD-lite (720p) 1440×1080 (1080 lines per picture
height): miniDV (high-def variant) 1920×1080 (1344 lines per picture height): (1080i/p) AVCHD, Blu-ray, HD DVD Tape lengths[edit] Both NTSC and PAL/SECAM Betamax cassettes are physically identical
(although the signals recorded on the tape are incompatible). However, as tape speeds differ between NTSC and PAL/SECAM, the playing time for any given cassette will vary accordingly between the
systems. Other unusual lengths were produced from time to time, such as L-410. For NTSC only, BI is standard speed, BII is 1/2 speed, BIII is 1/3 speed Common tape lengths Tape label Tape length
Recording time ft m BI BII BIII PAL/SECAM L-125 125 38 15 min 30 min 45 min 32 min L-165 166 2/3 51 20 min 40 min 60 min (1 h) 43 min L-250 250 76 30 min 60 min (1 h) 90 min (1:30 h) 65 min (1:05 h)
L-370 375 114 45 min 90 min (1:30 h) 135 (2:15 h) 96 min (1:36 h) L-500 500 152 60 min (1 h) 120 min (2 h) 180 min (3 h) 130 min (2:10 h) L-750 750 229 90 min (1:30 h) 180 min (3 h) 270 min (4:30 h)
195 min (3:15 h) L-830 833 1/3 254 100 min (1:40 h) 200 min (3:20 h) 300 min (5 h) 216 min (3:36 h) Home movies [edit] Two-piece camera/VCR systems rapidly displaced Super 8 mm film as the medium of
choice for shooting home movies and amateur films. These units included a portable VCR, which the videographer would carry by a shoulder strap, and a separate camera, which was connected to the VCR
by a special cable. At this point, Beta had several advantages over VHS systems. The smaller Beta cassette made for smaller and lighter VCRs. However, consumers wanted a one-piece solution. The first
one-piece consumer camcorder, the Betamovie, came from Sony. A major requirement for a one-piece camcorder was miniaturizing the recording head drum, and Sony's solution to this involved a
nonstandard video signal which would become standard only when played back on full-sized VCRs. A side effect of this was that Beta camcorders were record-only: consumers saw this as a major
limitation. VHS manufacturers found a better solution to drum miniaturization (it involved four heads doing the work of two). Because it used standard video signals, VHS camcorders could review
footage in the camcorder and copy to another VCR for editing. This shifted the home movie advantage dramatically away from Beta, and was a primary reason for the loss of Beta market share: owners of
Beta VCRs found that a VHS camcorder would allow them to copy and edit footage to their Beta deck – something that Betamovie could not do. If rental movies were not available in Beta, they could rent
them in VHS and use their camcorder to play them. Owners of VHS VCRs could also choose a variant camcorder format called VHS-C. This used a miniaturized cassette to make a camcorder smaller and
lighter than any Betamovie. Sony could not duplicate the functionality of VHS-C camcorders, and seeing the rapid loss of market share, eventually introduced the Video8 format. Their hope was that
Video8 could replace both Beta and VHS for all uses. For more information, see the article on camcorders.[24] End of production[edit] On November 10, 2015 Sony announced [25] that it would no longer
be producing Betamax video cassettes. Production and sales ended March 2016 after nearly 41 years of continuous production. Jon's archive https://archive.org/details/6842260604 Hello New York! Jon Hammond Show 28 Minutes Preview 06/04 MNN TV - First segment: Jon Hammond's annual musikmesse
Warm Up Party in the world famous jazzkeller Frankfurt - LATE RENT Jon Hammond Theme Song - Jon Hammond Band: Peter Klohmann tenor, Giovanni Totò Gulino drums, Joe Berger guitar, Jon Hammond organ -
Video: Tino Pavlis - Second segment: First playing of the Todd Anderson arrangement of "Lydia's Tune" by Jon Hammond - Organist Jon Hammond composed this song in Paris France after flying there
aboard Air France Concorde in year 1981, played here now with Meeting House Jazz Orchestra - #hammondcast Arranged and Conducted by tenor saxophonist Todd Anderson. Bob Rosen (tenor) presiding over
the Music Program at Friends Seminary 230 year old school established on Manhattan's East Side - David Zalud trumpet, Greg Ruvolo trumpet, Jim Piela saxophone, Pat Hall, Art Baron, Alfredo Marques
trombones, (guitar solo): David Acker guitar, Mike Campenni drums, Charles Lee alto, more names coming! Thank you for playing my song and those listening and watching this Podcast folks! Jon Hammond
©JON HAMMOND International ASCAP http://www.HammondCast.com/ TV Producers of Manhattan Neighborhood Network [MNN] - Manhattan Neighborhood Network -
Associated Musicians of Greater New York, Local 802 AFM of Greater New York, Local 802 AFM AFM Local 6 PROFILE http://afm6.org/member-profile/jon-hammond-wheres-the-gig/ — with Alfredo Marques, Bob Rosen, Greg Ruvolo, Todd Anderson, Mike
Campenni, Art Baron, David Acker, Charles Lee and AFM Local 6 at Friends Seminary. 3rd segment: Jon Hammond Band - Czechoslovakian Salsa Song by Jon Hammond (organ) Video Tino Pavlis Note: https://www.facebook.com/notes/jon-hammond-band/best-party-of-the-year-jon-hammonds-annual-musikmesse-warm-up-party-in-jazzkelle/1107482975950736
Best Party of The Year! Jon Hammond’s annual musikmesse Warm Up Party in Jazzkeller Tuesday April 5th 2016 celebrating 30 years Jon Hammond – organ Joe Berger – guitar Peter Klohmann – saxophone
Giovanni Totò Gulino – drums Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!” The Jon Hammond Show is a funky
swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic ©JON HAMMOND International - JJ Guitars Suzuki Musical
Instruments 4th segment: As Seen On MNN TV The Jon Hammond Show - Filmed in High Definition - Pocket Funk with NDR Horns - Jon Hammond Band special Auster Jazz Series - musical director Michael
Leuschner trumpet, Lutz Büchner tenor saxophone, Ernst-Friedrich Fiete Felsch alto saxophone, Funky Heinz Lichius drums feature on this one, Joe Berger guitar, Jon Hammond organ + bass http://www.HammondCast.com/ special thanks dankeschön to Knut Simon and Lukas Aaron Hambrecht AutoBild Redaktion Team for bringing the Borgward, Nicolai Ditsch for
operating the camera (also a fine drummer) and all the Hamburg people who came to this party session, Auster Bar Team Frank Blume & Torsten Wendt - support from Musik Rotthoff, Joe Berger is
playing Futhark Guitars, Jon Hammond the Sk1 Hammond manufactured by Suzuki Musical Instruments - Auster Bar Hamburg Eimsbüttel #hammondcast Producer Jon Hammond Language English Youtube https://youtu.be/HHyh9Hqj_bE Jon Hammond with his trusty Sennheiser HD 25-1 headphones x
Duo Gig today: Marc Baum
& Jon Hammond after the gig with dueling famous Remin Kart-A-Bag wheels, it's a wrap folks! 
Jon's archive https://archive.org/details/HeadPhoneLateRentYachtklubLife Jon Hammond Band - Head Phone Late Rent Yachtklub Life! Hans Romanov
Presents: 
SMALLS JAZZ CLUB, Jon Hammond, Grand Opening, #GrandOpening #HammondOrgan #Smalls #JAZZ
JON HAMMOND at the XB-2 Hammond Organ with Rhythm Section of RAY GRAPPONE drms CHUGGY CARTER perc BARRY FINNERTY gtr, Jon just back in New York from living in Paris where
he composed the song. Catch Jon's radio show HammondCast 7 mornings a week on KYOU & KYCY 1550 AM CBS San Francisco CA http://www.HammondCast.com ©JH INTL
JON HAMMOND International ASCAP Jon's archive https://archive.org/details/JonHammondRUGTIMEOsakaJONHAMMONDatB3Organ
Views 1,006 #1006 Youtube https://youtu.be/k-iRPQ3JOPs 13,511 views #13511 There were no carpets in Rug Time, when JON HAMMOND arrived he said: "Everybody
break out your carpets...because it's RUG TIME!" (famous Organ Lounge in Osaka...they must have meant "Ragtime") 
A MUST SEE when you're in Osaka KIX Japan! accompanied by Hidefumi Nose (guitar) and Kengo Komae (drums). *Special thanks OSAMU YAMAMOTO YS Corp. & MIDORI ONO. Bossa Nova version of "Shadow Of
Your Smile" *Jon is Host of CBS Radio KYCY/KYOU "Jon Hammond's Afternoon Slide" M-F 3PM PST 1550 AM on the dial in San Francisco CA. *More Info: http://www.HammondCast.com Jon's archive https://archive.org/details/JonHammondBand2ndSetAfterBirthdayCakeBreak Youtube https://youtu.be/o2--TIC-frk Vimeo https://vimeo.com/166375459 Facebook video https://www.facebook.com/hammondcast/videos/10153459987517102/ Note from Jon Hammond Video: Tino Pavlis https://www.facebook.com/notes/jon-hammond-band/best-party-of-the-year-jon-hammonds-annual-musikmesse-warm-up-party-in-jazzkelle/1107482975950736
Best Party of The Year! Jon Hammond’s annual musikmesse Warm Up Party in Jazzkeller Tuesday April 5th 2016 celebrating 30 years Jon Hammond – organ Joe Berger – guitar Peter Klohmann – saxophone
Giovanni Totò Gulino – drums Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!” The Jon Hammond Show is a funky
swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic - Jon's birthday cake by Saray Pastanesi Jon Hammond Band
Frankfurt to Nashville With Detour to Hollywood
Musikmesse ASCAP Expo Summer NAMM Show http://kernelpanichammondcast.blogspot.com/2016/05/frankfurt-to-nashville-with-detour-to.html
Sony GCS-1 SuperBetaMovie Industrial Camera in the field with Jon Hammond - I wore out 3 of these cameras filming for my Public Access TV Show The Jon Hammond Show on MCTV, MNN TV and now
streaming - we are still on 34th year late Friday nights / early Saturday mornings 01:30 AM EST - 28 minute program, Music, Travel and Soft News The camera was way ahead of it's time! - Jon Hammond
John Entwistle of The
Who with Jon Hammond and his Sony GCS-1 - John is playing one of his custom made Warwick Buzzard basses, pure ebony 
Jon's archive https://archive.org/details/JonHammondCIrca89JonHammondShowMCTVwEddieMoneyJohnEntwistleJoeBergerBonusKennyBridgeDiver
Action-packed vintage clip from the long-running (24th year) NYC cable-access TV show "The Jon Hammond Show" has classic opening with Video by LORI, Eddie Money spot filmed the night he did David
Letterman with Ronnie Spector "Take Me Home Tonight". Also a spot for Joe Berger's Impromptu Video Movie with voice-over by Jon Hammond featuring John Entwistle (RIP) of the WHO & Jack Bruce of
CREAM. This spot was a noble attempt at marketing that went awry. Joe unfortunately got ripped off by the people who were supposed to run the ad nation-wide 1989, but we've got it for you
here..enjoy! ©2007 http://www.HammondCast.com *BONUS: Kenny the Belly-flop Bridge Swan Diver..ouch! Betamax Wiki https://en.wikipedia.org/wiki/Betamax Betamax (also called Beta, and referred to as such in the logo) is a consumer-level analog videocassette magnetic
tape recording format developed by Sony, released in Japan on May 10, 1975. [1] The first Betamax introduced in America was the LV-1901 console, which included a 19" color monitor, and appeared in
stores in early November, 1975. The cassettes contain .50 in (12.7 mm)-wide videotape in a design similar to the earlier, professional .75 in (19 mm) wide, U-matic format. The format is obsolete,
having lost the videotape format war[2] to VHS. Betamax recorders ceased production in 2002, but the format's cassette tapes were available until March 2016, when Sony discontinued them.[3] Like the
rival videotape format VHS (introduced in Japan by JVC in October 1976[4] and in the United States by RCA in August 1977[5]), Betamax had no guard band and used azimuth recording to reduce crosstalk.
According to Sony's own history webpages, the name came from a double meaning: beta being the Japanese word used to describe the way signals were recorded onto the tape, and from the fact that when
the tape ran through the transport, it looked like the Greek letter beta (β). The suffix -max, from the word "maximum", was added to suggest greatness.[6] In 1977, Sony came out with the first long
play Betamax VCR, the SL-8200. This VCR had two recording speeds: normal, and the newer half speed. This provided two hours recording time on the L-500 Beta videocassette. The SL-8200 was to compete
against the VHS VCRs which had 2 or 4 hours of recording time.[7] Sanyo marketed a version as Betacord, but this was also referred to casually as "Beta". In addition to Sony and Sanyo, Beta-format
video recorders were manufactured and sold by Toshiba, Pioneer, Murphy, Aiwa, and NEC. The Zenith Electronics Corporation and WEGA Corporations contracted with Sony to produce VCRs for their product
lines. Department stores like Sears (in the United States and Canada) and Quelle (Germany) sold Beta-format VCRs under their house brands, as did the RadioShack chain of electronic stores. Betamax
and VHS competed in a fierce format war, which saw VHS come out on top in most markets. n early 1985, Sony would introduce a new feature, High Band or SuperBeta, by again shifting the Y carrier—this
time by 800 kHz. This improved the bandwidth available to the Y sideband and increased the horizontal resolution from 240 to 290 lines on a regular-grade Betamax cassette. Since over-the-antenna and
cable signals were only 300–330 lines resolution, SuperBeta could make a nearly identical copy of live television. However, the chroma resolution still remained relatively poor, limited to just under
0.4 MHz or approximately 30 lines resolution, whereas live broadcast chrominance resolution was over 100 lines. The heads were also narrowed to 29 μm to reduce crosstalk, with a narrower head gap to
play back the higher carrier frequency at 5.6 MHz. Later, some models would feature further improvement, in the form of Beta-Is, a high band version of the Beta-I recording mode. There were some
incompatibilities between the older Beta decks and SuperBeta, but most could play back a high band tape without major problems. SuperBeta decks had a switch to disable the SuperBeta mode for
compatibility purposes. (SuperBeta was only marginally supported outside of Sony, as many licensees had already discontinued their Betamax line.)[19][20] In 1988, Sony would again push the envelope
with ED Beta, or "Extended Definition" Betamax, capable of up to 500 lines of resolution, that equaled DVD quality (480 typical). In order to store the ~6.5 MHz-wide luma signal, with the peak
frequency at 9.3 MHz, Sony used a metal formulation tape borrowed from the Betacam SP format (branded "ED-Metal") and incorporated some improvements to the transport to reduce mechanically induced
aberrations in the picture. Beta ED also featured a luminance carrier deviation of 2.5 MHz, as opposed to the 1.2 MHz used in SuperBeta, improving contrast with reduced luminance noise.[21] Sony
introduced two ED decks and a camcorder in the late 1980s. The top end EDV-9500 (EDV-9300 in Canada) deck was a very capable editing deck, rivaling much more expensive U-Matic set-ups for its
accuracy and features, but did not have commercial success due to lack of timecode and other pro features. Sony did market Beta ED to "semiprofessional" users, or "prosumers". One complaint about the
EDC-55 ED CAM was that it needed a lot of light (at least 25 lux), due to the use of two CCDs instead of the typical single-CCD imaging device. The Beta ED lineup only recorded in BII/BIII modes,
with the ability to play back BI/BIs.[22] Despite the sharp decline in sales of Betamax recorders in the late 1980s and subsequent halt in production of new recorders by Sony in 2002, both Betamax
and SuperBetamax are still being used by a small number of people. New cassettes are still available for purchase at online shops and used recorders are often found at flea markets, thrift stores or
on Internet auction sites. Early format BetaCam cassettes—which are physically based on the Betamax cassette—continue to be available for use in the professional media. Comparison with other video
formats[edit] Size comparison between a Betamax cassette (top) and a VHS cassette (bottom). Below is a list of modern, digital-style resolutions (and traditional analog "TV lines per picture height"
measurements) for various media. The list only includes popular formats. All values are approximate NTSC resolutions. For PAL systems, replace "480" with "576". Note that listed resolution applies to
luminance only, with chroma resolution usually halved in each dimension for digital formats, and significantly lower for analog formats. Resolution based on the quality with a standard Kell factor of
0.7:[citation needed] 350×480 (250 lines per picture height): Umatic, Betamax, VHS, Video8 420×480 (300 lines per picture height): Super Betamax, Betacam (professional) 460×480 (330 lines per picture
height): Analog Broadcast 590×480 (420 lines per picture height): LaserDisc, Super VHS, Hi8 700×480 (500 lines per picture height): Extended Definition Betamax Pal Systems, 350×576 (250 lines per
picture height): Umatic, Betamax, VHS, Video8 420×576 (300 lines per picture height): Super Betamax, Betacam (professional) 460×576 (330 lines per picture height): Analog Broadcast 590×576 (420 lines
per picture height): LaserDisc, Super VHS, Hi8 700×576 (500 lines per picture height): Extended Definition Betamax [23][not in citation given] Digital formats Quality based on the resolution with a
standard Kell factor of 0.7:[citation needed] 352×240 (240 lines per picture height): Video CD 480×480 (330 lines per picture height): SVCD 720×480 (504 lines per picture height): 4:3 DVD, Anamorphic
Widescreen DVD, DV, miniDV, Digital8 720×360 (504 lines per picture height): Letterbox Widescreen DVD 1280×720 (896 lines per picture height): AVCHD-lite (720p) 1440×1080 (1080 lines per picture
height): miniDV (high-def variant) 1920×1080 (1344 lines per picture height): (1080i/p) AVCHD, Blu-ray, HD DVD Tape lengths[edit] Both NTSC and PAL/SECAM Betamax cassettes are physically identical
(although the signals recorded on the tape are incompatible). However, as tape speeds differ between NTSC and PAL/SECAM, the playing time for any given cassette will vary accordingly between the
systems. Other unusual lengths were produced from time to time, such as L-410. For NTSC only, BI is standard speed, BII is 1/2 speed, BIII is 1/3 speed Common tape lengths Tape label Tape length
Recording time ft m BI BII BIII PAL/SECAM L-125 125 38 15 min 30 min 45 min 32 min L-165 166 2/3 51 20 min 40 min 60 min (1 h) 43 min L-250 250 76 30 min 60 min (1 h) 90 min (1:30 h) 65 min (1:05 h)
L-370 375 114 45 min 90 min (1:30 h) 135 (2:15 h) 96 min (1:36 h) L-500 500 152 60 min (1 h) 120 min (2 h) 180 min (3 h) 130 min (2:10 h) L-750 750 229 90 min (1:30 h) 180 min (3 h) 270 min (4:30 h)
195 min (3:15 h) L-830 833 1/3 254 100 min (1:40 h) 200 min (3:20 h) 300 min (5 h) 216 min (3:36 h) Home movies [edit] Two-piece camera/VCR systems rapidly displaced Super 8 mm film as the medium of
choice for shooting home movies and amateur films. These units included a portable VCR, which the videographer would carry by a shoulder strap, and a separate camera, which was connected to the VCR
by a special cable. At this point, Beta had several advantages over VHS systems. The smaller Beta cassette made for smaller and lighter VCRs. However, consumers wanted a one-piece solution. The first
one-piece consumer camcorder, the Betamovie, came from Sony. A major requirement for a one-piece camcorder was miniaturizing the recording head drum, and Sony's solution to this involved a
nonstandard video signal which would become standard only when played back on full-sized VCRs. A side effect of this was that Beta camcorders were record-only: consumers saw this as a major
limitation. VHS manufacturers found a better solution to drum miniaturization (it involved four heads doing the work of two). Because it used standard video signals, VHS camcorders could review
footage in the camcorder and copy to another VCR for editing. This shifted the home movie advantage dramatically away from Beta, and was a primary reason for the loss of Beta market share: owners of
Beta VCRs found that a VHS camcorder would allow them to copy and edit footage to their Beta deck – something that Betamovie could not do. If rental movies were not available in Beta, they could rent
them in VHS and use their camcorder to play them. Owners of VHS VCRs could also choose a variant camcorder format called VHS-C. This used a miniaturized cassette to make a camcorder smaller and
lighter than any Betamovie. Sony could not duplicate the functionality of VHS-C camcorders, and seeing the rapid loss of market share, eventually introduced the Video8 format. Their hope was that
Video8 could replace both Beta and VHS for all uses. For more information, see the article on camcorders.[24] End of production[edit] On November 10, 2015 Sony announced [25] that it would no longer
be producing Betamax video cassettes. Production and sales ended March 2016 after nearly 41 years of continuous production. Jon's archive https://archive.org/details/6842260604 Hello New York! Jon Hammond Show 28 Minutes Preview 06/04 MNN TV - First segment: Jon Hammond's annual musikmesse
Warm Up Party in the world famous jazzkeller Frankfurt - LATE RENT Jon Hammond Theme Song - Jon Hammond Band: Peter Klohmann tenor, Giovanni Totò Gulino drums, Joe Berger guitar, Jon Hammond organ -
Video: Tino Pavlis - Second segment: First playing of the Todd Anderson arrangement of "Lydia's Tune" by Jon Hammond - Organist Jon Hammond composed this song in Paris France after flying there
aboard Air France Concorde in year 1981, played here now with Meeting House Jazz Orchestra - #hammondcast Arranged and Conducted by tenor saxophonist Todd Anderson. Bob Rosen (tenor) presiding over
the Music Program at Friends Seminary 230 year old school established on Manhattan's East Side - David Zalud trumpet, Greg Ruvolo trumpet, Jim Piela saxophone, Pat Hall, Art Baron, Alfredo Marques
trombones, (guitar solo): David Acker guitar, Mike Campenni drums, Charles Lee alto, more names coming! Thank you for playing my song and those listening and watching this Podcast folks! Jon Hammond
©JON HAMMOND International ASCAP http://www.HammondCast.com/ TV Producers of Manhattan Neighborhood Network [MNN] - Manhattan Neighborhood Network -
Associated Musicians of Greater New York, Local 802 AFM of Greater New York, Local 802 AFM AFM Local 6 PROFILE http://afm6.org/member-profile/jon-hammond-wheres-the-gig/ — with Alfredo Marques, Bob Rosen, Greg Ruvolo, Todd Anderson, Mike
Campenni, Art Baron, David Acker, Charles Lee and AFM Local 6 at Friends Seminary. 3rd segment: Jon Hammond Band - Czechoslovakian Salsa Song by Jon Hammond (organ) Video Tino Pavlis Note: https://www.facebook.com/notes/jon-hammond-band/best-party-of-the-year-jon-hammonds-annual-musikmesse-warm-up-party-in-jazzkelle/1107482975950736
Best Party of The Year! Jon Hammond’s annual musikmesse Warm Up Party in Jazzkeller Tuesday April 5th 2016 celebrating 30 years Jon Hammond – organ Joe Berger – guitar Peter Klohmann – saxophone
Giovanni Totò Gulino – drums Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!” The Jon Hammond Show is a funky
swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic ©JON HAMMOND International - JJ Guitars Suzuki Musical
Instruments 4th segment: As Seen On MNN TV The Jon Hammond Show - Filmed in High Definition - Pocket Funk with NDR Horns - Jon Hammond Band special Auster Jazz Series - musical director Michael
Leuschner trumpet, Lutz Büchner tenor saxophone, Ernst-Friedrich Fiete Felsch alto saxophone, Funky Heinz Lichius drums feature on this one, Joe Berger guitar, Jon Hammond organ + bass http://www.HammondCast.com/ special thanks dankeschön to Knut Simon and Lukas Aaron Hambrecht AutoBild Redaktion Team for bringing the Borgward, Nicolai Ditsch for
operating the camera (also a fine drummer) and all the Hamburg people who came to this party session, Auster Bar Team Frank Blume & Torsten Wendt - support from Musik Rotthoff, Joe Berger is
playing Futhark Guitars, Jon Hammond the Sk1 Hammond manufactured by Suzuki Musical Instruments - Auster Bar Hamburg Eimsbüttel #hammondcast Producer Jon Hammond Language English Youtube https://youtu.be/HHyh9Hqj_bE Jon Hammond with his trusty Sennheiser HD 25-1 headphones x
Duo Gig today: Marc Baum
& Jon Hammond after the gig with dueling famous Remin Kart-A-Bag wheels, it's a wrap folks! 
Jon's archive https://archive.org/details/HeadPhoneLateRentYachtklubLife Jon Hammond Band - Head Phone Late Rent Yachtklub Life! Hans Romanov
Presents: 
SMALLS JAZZ CLUB, Jon Hammond, Grand Opening, #GrandOpening #HammondOrgan #Smalls #JAZZ