Jon Hammond at the Organ and Microphone
Jon Hammond Journal For Day July 16, 2012 Report - First very sad news, Jon Lord the great Hammond organist of Deep Purple fame has died Folks, Very Sad Announcement: Jon Lord has died. 
Jon Lord of Deep Purple Speaking about Hammond Sk1
and Sk2 with Jon Hammond in Frankfurt at Musikmesse Rest In Peace Jon - Jon Hammond http://www.youtube.com/watch?v=Q4AbLZZ0380 Jonathan
Douglas Lord, rock and classical musician and composer, born 9 June 1941; died 16 July 2012 He is survived by his wife, Vicky, and their daughter, Amy; and a daughter, Sara, by his first wife,
Judith, from whom he was divorced. Jon's Obit from The Guardian http://www.guardian.co.uk/music/2012/jul/16/jon-lord?newsfeed=true Jon Lord "Organist who infused Deep Purple with classical
influences, helping make them one of the world's biggest rock bands" 'We're as valid as anything by Beethoven," declared Jon Lord of his band, Deep Purple, in an interview with the New Musical
Express in 1973. Lord, who has died aged 71 after suffering from pancreatic cancer, was not merely adopting a rebellious stance. An accomplished classical composer as well as rock musician, he
believed with some justification that his group's music was as profound in structure and as significant in cultural impact as any work from the symphonic canon. At the time, Deep Purple were among
the world's biggest rock bands, having built an enormous fanbase on the strength of their classically influenced songs, which lent further weight to Lord's statement. Born in Leicester, Lord studied
classical piano from the age of five. In his teens, the then-new rock'n'roll and R&B movements made a deep impression on him, in particular the music recorded by blues pianists and organists such
as Jimmy McGriff and Jerry Lee Lewis. The contemporary combination of Hammond B3 and C3 organs with Leslie speakers appealed to him, and this became an instrumental setup that remained integral to
Lord's signature keyboard style for the rest of his career. In 1959, he moved to London to pursue acting, which he studied at the Central School of Speech and Drama. He played the piano and Hammond
organ in clubs to pay the bills, initially with a jazz band called the Bill Ashton Combo and then with Red Bludd's Bluesicians, featuring the vocalist Art Wood. While recording occasional sessions
(he contributed keyboards to the Kinks' 1964 hit You Really Got Me), Lord pursued pop success in the Art Wood Combo, who later renamed themselves the Artwoods and appeared on TV. I Take What I Want
was the group's only charting single. Lord discovered his trademark sound when he formed Santa Barbara Machine Head, which also featured Wood's brother and future Rolling Stone, Ronnie Wood. The key
to this group's success was its powerful, organ- and guitar-driven formula, which pointed at the future musical recipe of Deep Purple, and also the meeting of Lord and the bassist Nick Simper. The
duo were the backbone of Deep Purple, who formed when the businessman and manager Tony Edwards invested in the new group and auditioned the cream of London's young talent – the guitarist Ritchie
Blackmore, the singer Rod Evans and the drummer Ian Paice among them. This quintet formed Purple's first lineup in 1968. Deep Purple spent the following eight years on a path that took them around
the world on several occasions (in later years, they had a private jet), playing the world's largest stadiums and issuing a series of classic LPs – In Rock (1970), Fireball (1971), Machine Head
(1972) and Burn (1974) among them. Personnel came and went, but Lord and Paice remained constant members until the group's dissolution amid a haze of drug addiction and exhaustion in 1976. Of the
great British rock bands of the 70s, only Led Zeppelin, Black Sabbath and the Stones were able to operate on as grand a scale: unlike any of those groups, Deep Purple took regular time out to indulge
in classical projects initiated and directed by Lord. The most notable of these was the live Concerto for Group and Orchestra, recorded at the Royal Albert Hall in 1969. It was this equal passion for
rock bombast and classical finesse that made Lord such an unusual musician. During Deep Purple's glory days, he often infused the songs with classical influences, as in the song April from the
group's eponymous album in 1969. His organ playing, which often counterpointed Blackmore's virtuoso lead guitar, was unique and often copied. After the split, Lord formed a group with the rock singer
Tony Ashton and Deep Purple's ex-drummer Paice entitled Paice, Ashton & Lord. They released one album, Malice in Wonderland, in 1977. He then joined Whitesnake, the band formed by Deep Purple's
last lead singer, David Coverdale. This group, not to be confused with the 1980s reincarnation that played stadium rock and met with huge success, was an earthy, blues-rock band in which Lord's organ
playing was an essential element. His stint in Whitesnake ended when he rejoined a reformed lineup of Deep Purple in 1984 alongside Blackmore, Paice, the singer Ian Gillan and the bassist Roger
Glover. Many solo projects and collaborations came during and between Lord's membership of these bands, including Before I Forget (1982), which featured classical piano music; a commission to compose
the soundtrack of Central Television's 1984 series The Country Diary of an Edwardian Lady; and guest spots on albums by rock luminaries such as Lord's Oxfordshire neighbour George Harrison and Pink
Floyd's David Gilmour. Eight more years of recording and tours followed before Lord felt he had had enough of life on the road. In a letter to his bandmates in 2002, he requested that Deep Purple
take a year off. When this request was declined, he amicably left the group. Solo projects followed, including a collaboration in 2004 with sometime Abba singer Anni-Frid Lyngstad, and the formation
of a blues band, Hoochie Coochie Men, three years later. In 2010, Lord was made an honorary fellow of Stevenson College, Edinburgh, and the following year he was awarded an honorary doctorate of
music by the University of Leicester. Report http://hammondcast.over-blog.com/article-report-jon-hammond-and-koei-tanaka-concert-for-president-manji-suzuki-and-company-hamamatsu-japan-77330862.html
Bicycles are In these days, but make sure to wear a helmut folks! Jon Hammond 2 friends of mine seriously injured recently, one with helmut (busted femur) and the other one, busted collar bone
Jon Lord of Deep Purple Speaking about Hammond Sk1
and Sk2 with Jon Hammond in Frankfurt at Musikmesse Rest In Peace Jon - Jon Hammond http://www.youtube.com/watch?v=Q4AbLZZ0380 Jonathan
Douglas Lord, rock and classical musician and composer, born 9 June 1941; died 16 July 2012 He is survived by his wife, Vicky, and their daughter, Amy; and a daughter, Sara, by his first wife,
Judith, from whom he was divorced. Jon's Obit from The Guardian http://www.guardian.co.uk/music/2012/jul/16/jon-lord?newsfeed=true Jon Lord "Organist who infused Deep Purple with classical
influences, helping make them one of the world's biggest rock bands" 'We're as valid as anything by Beethoven," declared Jon Lord of his band, Deep Purple, in an interview with the New Musical
Express in 1973. Lord, who has died aged 71 after suffering from pancreatic cancer, was not merely adopting a rebellious stance. An accomplished classical composer as well as rock musician, he
believed with some justification that his group's music was as profound in structure and as significant in cultural impact as any work from the symphonic canon. At the time, Deep Purple were among
the world's biggest rock bands, having built an enormous fanbase on the strength of their classically influenced songs, which lent further weight to Lord's statement. Born in Leicester, Lord studied
classical piano from the age of five. In his teens, the then-new rock'n'roll and R&B movements made a deep impression on him, in particular the music recorded by blues pianists and organists such
as Jimmy McGriff and Jerry Lee Lewis. The contemporary combination of Hammond B3 and C3 organs with Leslie speakers appealed to him, and this became an instrumental setup that remained integral to
Lord's signature keyboard style for the rest of his career. In 1959, he moved to London to pursue acting, which he studied at the Central School of Speech and Drama. He played the piano and Hammond
organ in clubs to pay the bills, initially with a jazz band called the Bill Ashton Combo and then with Red Bludd's Bluesicians, featuring the vocalist Art Wood. While recording occasional sessions
(he contributed keyboards to the Kinks' 1964 hit You Really Got Me), Lord pursued pop success in the Art Wood Combo, who later renamed themselves the Artwoods and appeared on TV. I Take What I Want
was the group's only charting single. Lord discovered his trademark sound when he formed Santa Barbara Machine Head, which also featured Wood's brother and future Rolling Stone, Ronnie Wood. The key
to this group's success was its powerful, organ- and guitar-driven formula, which pointed at the future musical recipe of Deep Purple, and also the meeting of Lord and the bassist Nick Simper. The
duo were the backbone of Deep Purple, who formed when the businessman and manager Tony Edwards invested in the new group and auditioned the cream of London's young talent – the guitarist Ritchie
Blackmore, the singer Rod Evans and the drummer Ian Paice among them. This quintet formed Purple's first lineup in 1968. Deep Purple spent the following eight years on a path that took them around
the world on several occasions (in later years, they had a private jet), playing the world's largest stadiums and issuing a series of classic LPs – In Rock (1970), Fireball (1971), Machine Head
(1972) and Burn (1974) among them. Personnel came and went, but Lord and Paice remained constant members until the group's dissolution amid a haze of drug addiction and exhaustion in 1976. Of the
great British rock bands of the 70s, only Led Zeppelin, Black Sabbath and the Stones were able to operate on as grand a scale: unlike any of those groups, Deep Purple took regular time out to indulge
in classical projects initiated and directed by Lord. The most notable of these was the live Concerto for Group and Orchestra, recorded at the Royal Albert Hall in 1969. It was this equal passion for
rock bombast and classical finesse that made Lord such an unusual musician. During Deep Purple's glory days, he often infused the songs with classical influences, as in the song April from the
group's eponymous album in 1969. His organ playing, which often counterpointed Blackmore's virtuoso lead guitar, was unique and often copied. After the split, Lord formed a group with the rock singer
Tony Ashton and Deep Purple's ex-drummer Paice entitled Paice, Ashton & Lord. They released one album, Malice in Wonderland, in 1977. He then joined Whitesnake, the band formed by Deep Purple's
last lead singer, David Coverdale. This group, not to be confused with the 1980s reincarnation that played stadium rock and met with huge success, was an earthy, blues-rock band in which Lord's organ
playing was an essential element. His stint in Whitesnake ended when he rejoined a reformed lineup of Deep Purple in 1984 alongside Blackmore, Paice, the singer Ian Gillan and the bassist Roger
Glover. Many solo projects and collaborations came during and between Lord's membership of these bands, including Before I Forget (1982), which featured classical piano music; a commission to compose
the soundtrack of Central Television's 1984 series The Country Diary of an Edwardian Lady; and guest spots on albums by rock luminaries such as Lord's Oxfordshire neighbour George Harrison and Pink
Floyd's David Gilmour. Eight more years of recording and tours followed before Lord felt he had had enough of life on the road. In a letter to his bandmates in 2002, he requested that Deep Purple
take a year off. When this request was declined, he amicably left the group. Solo projects followed, including a collaboration in 2004 with sometime Abba singer Anni-Frid Lyngstad, and the formation
of a blues band, Hoochie Coochie Men, three years later. In 2010, Lord was made an honorary fellow of Stevenson College, Edinburgh, and the following year he was awarded an honorary doctorate of
music by the University of Leicester. Report http://hammondcast.over-blog.com/article-report-jon-hammond-and-koei-tanaka-concert-for-president-manji-suzuki-and-company-hamamatsu-japan-77330862.html
Bicycles are In these days, but make sure to wear a helmut folks! Jon Hammond 2 friends of mine seriously injured recently, one with helmut (busted femur) and the other one, busted collar bone
